Figures

Every working machine on this site, numbered area.document.figure. Numbers are permanent: a figure that goes away is retired, never renumbered, and its entry stays in this ledger. Each number is an address — /fig/1.1.1 resolves.

0 — Laboratory

fig. 0.1.1the voyage, driven by scroll. In context: Library lab
fig. 0.1.2hand marks drawn onto set type. In context: Library lab
fig. 0.1.3the coastline, drawn stroke by stroke. In context: Library lab
fig. 0.1.4a generative plate, ready for the pen. In context: Library lab
fig. 0.1.5the figure system, stating its own laws. In context: Library lab
fig. 0.1.6the world chart, flows in motion. In context: Library lab
fig. 0.1.7two laws, twenty-four thousand points. In context: Library lab
fig. 0.1.8the atlas in ink. In context: Library lab
fig. 0.1.9the atlas in plaster. In context: Library lab
fig. 0.1.10the toybox, charted by the toybox. In context: Library lab
fig. 0.1.11the sea, with its constants live. In context: Library lab
fig. 0.1.12prose that points at the figure. In context: Library lab
fig. 0.1.13the reader’s wager against Homer. In context: Library lab
fig. 0.1.14six hundred men, re-mustered. In context: Library lab
fig. 0.1.15the city in three dimensions. In context: Library lab
fig. 0.1.16one cube, six laws. In context: Library lab
fig. 0.1.17the timeline and the shareable cursor, on trial. In context: Library lab
fig. 0.1.18small multiples on one honest scale, on trial. In context: Library lab
fig. 0.2.1the session that built the lab, drawn to its own ledger. In context: The act–check weave
fig. 0.3.1the prefab poem, measured line by line. In context: Homer lab
fig. 0.3.2epithets, counted to their owners. In context: Homer lab
fig. 0.3.3who is on stage, book by book. In context: Homer lab
fig. 0.3.4who gets the floor, by tag line. In context: Homer lab
fig. 0.3.6the word hoard, counted once. In context: Homer lab
fig. 0.3.7the dawn clock, with one dawn held back. In context: Homer lab
fig. 0.3.8the poem’s words, sieved by survival. In context: Homer lab
fig. 0.3.9the two deaths of the epic grammar. In context: Homer lab
fig. 0.3.10the actual vocabulary, at three depths. In context: Homer lab
fig. 0.3.11false friends, three thousand years apart. In context: Homer lab
fig. 0.3.12violence and rape, done by whom to whom. In context: Homer lab
fig. 0.3.13ithaca from the ship, drawn from the elevation model. In context: Homer lab
fig. 0.3.14circe’s island that is not an island. In context: Homer lab
fig. 0.3.15the poem’s two clocks: dawns above the line, deaths below. In context: Homer lab

1 — Pages

fig. 1.1.1the author, reproducible. In context: Home
fig. 1.1.2the return from Troy, drawn to men remaining. In context: Home
fig. 1.1.3what killed the crew, counted and shared out. In context: Home
fig. 1.1.4the same deaths, sorted by book of the poem. In context: Home
fig. 1.1.5the killing in the hall, and who got a hearing. In context: Home
fig. 1.2.1the figure system, drawn by itself. In context: Colophon
fig. 1.2.2the ledger, counted by area. In context: Colophon
fig. 1.2.3the build, weighed route by route. In context: Colophon

2 — Essays

fig. 2.1.1the mechanism, step by step. In context: Women Should Ask Men Out
fig. 2.1.2the same preferences, both directions, 100 at a time. In context: Women Should Ask Men Out
fig. 2.1.3forty years of consequences. In context: Women Should Ask Men Out
fig. 2.1.4asks them out on your behalf. In context: Women Should Ask Men Out
fig. 2.1.5one run of the algorithm, drawn as its rejections. In context: Women Should Ask Men Out

Areas: 1 — pages · 2 — essays · 3 — projects. Documents take the next number in their area when published, forever.